12x10 inch, oil on canvas. |
Mill Farm, Cherry Burton, East Yorkshire.
The morning rain was heavy as I walked George on the
Westwood where the varied cattle conjoined to form dense numbers moving
deceptively quickly as they fed. The rain eased to a fine, soaking mist, the
temperature remaining comfortable at 19 degrees C. After the walk I drove to
Cherry Burton, where I had an idea to do a painting of the Mill at Mill Farm.
It is a disused Mill surrounded by outbuildings and two houses. One of the
houses is called..... Mill Farm and is adjacent to the Mill. A friend had
spoken to someone, who lives at the Mill, and asked if I could visit some time
with a view to doing a painting. So, I confidently knocked on the door and a
man appeared. He was very helpful and we chatted about the Mill. He asked me if
I would like to see inside the Mill, which of course I did. He opened a large
door and what a surprise. The outside appearance of the Mill, with no windows
fitted gave the impression that it was an empty shell, I was expecting to look
up and see the sky, but here, above me was a timbered floor held in place by
massive oak beams. Closer inspection revealed the need for reinforcing
steelwork which supported these beams, nevertheless it was impressive. A
dust covered, vintage, Universal Mill stood sleeping, and, for a moment, I
thought it had something to do with the Mill but the farmer explained that it
was originally driven by belts from a tractor take-off. I was kindly allowed to wander the site, into the surrounding fields,
past suspicious geese and chickens and, a scuttlingly furtive, moorhen. However
it was difficult to get a good view. I decided to try from the nearby, disused
railway. Aha, straight away I found a good view. I took George for a long walk
along the disused railway line where he could run free and then back to the car
for a drink.
I set up and started to paint.
I set up and started to paint.
A woman passed me with two dogs, one a large black Alsatian,
we smiled at each other as I gave the dogs some space. The railway footpath is
a useful conduit and more people appeared. A mother and her two young daughters
came off the track and passed me and we had a brief chat before they moved on.
The sound of horses made me turn round and what a sight. A beautiful large dappled
grey horse was walking slowly down the track towards me. Though huge the horse moved
deliberately, carefully, stepping along and guided by the lady rider. Behind,
another beautiful, light brown horse followed, it being, I think, a little
smaller. This second horse was leading a tethered pony. Again we exchanged a
few words. A father on a cycle appeared next with his young son and daughter, both
riding cycles. They passed me, down the sloping path to the level track. I heard the father explain that one way led
to Market Weighton and the other way to Beverley. I think the young daughter
decided on the latter route. Anyway, back to painting... then behind me more
voices. It was the mother and her two girls again. They were returning, having walked
to the nearby Field House Farm where they had bought ice cream. I had bought
milk there before, unaware of their other temptations, something I will remedy
very soon.
I made a mental note.
The temperature was now climbing as the sun began to break
through. I was having to stand, on flattened nettles in the long surrounding
grass, and kept feeling as if I was being bitten. George was safely in the
shade but I decided to finish and return to him, it was also provided respite from the biting insects.
Hope you like it.
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